Tuesday, January 8, 2013

Classes Resume This Week

Welcome 2013!  May the year bring creativity, breakthroughs, artistic insight and individual development to each artist!

Classes begin tomorrow afternoon, Wednesday - January 9th, 3:30 till 5:30 p.m..

 Students continue with their work in color, composition, spatial perspective, drawing in charcoal and pastels, watercolor, and acrylic painting.




Wednesday classes begin January 9th - February 14th, 3:30 till 5:30 p.m.
Saturday classes begin January 12th - February 16th, 11:00 till 1:00 p.m.
Monday Evening classes begin January 14th - February 18th, 7:00 - 9:00 p.m.
Spring Session II begins the following week and runs consecutive till March 25th (five week session).  Spring Session III begins Wednesday, April 3rd and runs through May 13th.

Exhibition to follow.

Please view some of the great paintings and drawings of this past fall session.
                   

                                      Watercolors and  Acrylics by Emma Isaacs.

 These watercolors, drawings, acrylic paintings and mixed media are from the young artists classes - Wednesday and Saturday classes.  They have been developing their spatial relationships, compositions and use of color along with studying from life.  These sill life have a pensive calmness and a sense of the moment.






Acrylic paintings by Lily Johnston.  Lily has been working on these highly visual paintings of fruits and vegetables. The organic, the oval, and sensual shapes of papaya, apples, limes, peppers.  Developing her color sense and use of color next to color was her biggest challenge.










Lily has been working in landscapes, still life such as these and portrait work.  The student work in developing their ability in life drawing, studying from the figure, landscape painting and still life.










Isabella Norris spent a semester studying Renaissance portraiture.  Da Vinci's study of St. Anne is done in charcoal.  The use of chiaroscuro in Renaissance painting is what makes these paintings and drawings the more dramatic.  A strong sense of light source and the sculptural three dimensional aspects of the human figure is seen in this tentative charcoal drawing.




Emma Isaac's Pre-Raphaelite study of Edward
Burne-Jones' "Pelican"

Drawing of Pre-Raphaelite
Edward Burne-Jones'
study of the "Pelican in the
Tree" by Emma Isaacs 


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